The Twilight Saga Movies
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The second installment of the franchise, The Twilight Saga: New Moon, was. And the third installment, The Twilight Saga: Eclipse, was released June 30, 2010. Films with the first of the two — The Twilight Saga: Breaking Dawn — Part 1. Movies & TV Shows. The Twilight Saga: New Moon. The Twilight Saga: Eclipse In the third chapter of Stephenie Meyer's phenomenal Twilight series, Bella Swan is surrounded by danger as Seattle is hit by a string of murders. The Twilight Saga: Breaking Dawn – Part 1. The Twilight Saga: Breaking Dawn – Part 2.
Kristen Stewart and Robert Pattinson in ‘The Twilight Saga: Eclipse’ In a different timeline, the constant conversation about the commercial and artistic value of movies for/from/about women and girls would have been nipped in the bud way back in 2008. In terms of pop culture impact, the year is best known for the birth of the Marvel Cinematic Universe with Iron Man and the cultural juggernaut that was The Dark Knight which elevated the comic book action blockbuster to a level of serious minded discourse and began the swift process in which the geek demographics essentially took over Hollywood and the entertainment media as a whole.
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The Twilight Saga Movies
But right alongside those two comic book superhero movies, we also had Sex and the City earning $411 million on a $60m budget and Mamma Mia! Earning $609m worldwide (more than Iron Man and just $5m less overseas than The Dark Knight). Most importantly, we had the start of the Twilight franchise, which began ten years ago today. It was only in late 2007 when Warner Bros. President Jeff Robinov that he didn’t want to make any more female-fronted movies following the failures of Hilary Swank’s The Reaping, Nicole Kidman’s The Invasion and Jodie Foster’s The Brave One. He and it’s worth noting that the 2008 WB slate included Sex and the City, Sisterhood of the Traveling Pants 2 and Nights in Rodanthe.
WB did take some grief for tossing the Amy Poehler/Rachel Dratch/Parker Posey beach comedy Spring Breakdown straight to DVD, but the alleged comments kick-started a conversation about gender parity in mainstream film right as Hollywood was going full-tentpole at the expense of the kinds of dramas, romantic comedies and related studio programmer movies that would often star “not a white guy” leading actors and actresses in the central role(s). Into this conversation came the first Twilight. Based on an already popular young adult fantasy series, the first Twilight was a rarity. It was a massively successful and zeitgeist-capturing blockbuster franchise starter with a female director (Catherine Hardwicke) at the helm and a female screenwriter (Melissa Rosenberg) adapting a book from a female author (Stephenie Myer). Even set within a slightly supernatural world populated by vampires and werewolves, and with a few action sequences here and there, the Twilight Saga was a blockbuster franchise that was, at its core, a romantic drama. The five-movie series may have earned critical scolding, Razzie nominations and a certain cultural disdain, but it also shattered conventional wisdom, became a gateway drug to a generation of “geek girls,” began a decade-long conversation about cultural tastemakers and gender-based critical double standards and reminded Hollywood that movies for/by/about women and girls were the opposite of box office poison.
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